So long as I don't hear a recording of my playing, I can live happily in the knowledge that I'm producing something reasonably pleasant to listen to (despite the tendency of all my family members to request that I keep the door firmly shut when I'm practicing). However, time to kick the self-delusion habit - I'm biting the bullet and using the phone to record myself to hear what's really going on.
The first thing to overcome of course, is the 'red button' syndrome. (No matter that the button is sometimes white - it has the same effect in terms of inducing a state of panic, with predictably negative effects). I have been attempting to overcome this with a surfeit of exposure - i.e. during some practice sessions keeping the 'record' button pressed for every attempt - even if my efforts are sometimes so bad I have to delete without listening. This seems to be working, in that now it only really bothers me the first time I turn it on. OK so that hurdle overcome, what am I finding out? First, as expected, all those little (and not so little) problems become all too obvious - buzzing strings, missed notes, faulty timing (plus my recent recognition that strings ringing over to the next chord are making the whole thing fuzzy). This is proving helpful because I can now use the oft-recommended 'slow practice' on very small sections, and with concrete goals in mind, such as figuring out a way to stop that string buzzing, or make that slur actually sound. And after I've worked on it I can check to see if I did it right! Ditto using the metronome to make sure I'm not speeding up or wandering around with the tempo.
Second, attempts at dynamic contrast are scarcely audible. I'm trying to convince myself this is actually a deficiency of the phone's ability to detect rather than my ability to produce. On the other hand, it would explain my long-suffering guitar teacher's frequent request for "more dynamics." Sigh.
Third, tone leaves a lot to be desired. This is hard one - there is just a small chance that the paltry microphone on the phone is partly responsible for this, and I'm going to have to hook up the 'real' microphone to check one of these days. Unlike the other problems that I'm hearing on the recordings though, I will need help to work on this and it probably won't be an easy fix. One thing I do know - I definitely can't blame the guitar, because it's way above my pay grade...
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Monday, January 23, 2017
Thursday, January 19, 2017
The pleasure of "messing around" on the guitar
I'll admit it. Messing around on my guitar is not exactly what I had in mind when I came up with my new year's resolution to work on specific guitar skills (i.e. in all the time freed up by not practicing orchestra stuff). I have excuses though. For instance, resting my tennis elbow, going on vacation (I just got back from 2 weeks in the UK), "remembering" the things I used to be able to play, etc. I know, I know, getting better involves that 4 letter word beginning with "W" and ending in "K," but I play for pleasure and I wanted more of it๐ PLUS the satisfaction of improving. So rested and refreshed (albeit somewhat jet-lagged) it's time to take stock and come up with some specific goals.
So in between noodling around, what have I been doing that I said I would? Admittedly I've been doing much less practicing than usual in favor of dog walking (see pic), exploring, visiting relatives and organizing phones and computers for the electronically-challenged. In the limited time devoted to guitar, I did continue working through an easy book trying to sight read, came up with an initial plan for how I want my "work' pieces to sound, and even recorded some of my efforts (fortunately deleted). Darn, it's so much harder when you're trying for a specific sound - can you believe it didn't sound the least bit like I thought it did?! Visualizing scales/ intervals turns out to be an excellent way to get to sleep though, if perhaps not so good for learning the fingerboard ๐. And I've been trying to learn a fun blues piece. So I'm hitting the right things, just not a lot of time invested. And I've had FUN! And this WILL continue, but to keep me honest, this is what I already know I need to do ...
(Bach)
- SLOW DOWN (use the metronome), record sections and not speed up until they're solid enough to play 3? 4? 5? times in a row without mistakes and hearing the dynamics I want.
- work specifically on left hand positioning, particularly for ascending slurs
- If still not able to stop the mistakes, check the right hand fingering is consistent.
- Don't forget the legato
- Figure out (from the recording) if you want the last part damped. (maybe not)?
- Oh yes, play it all the way through every day (did I actually do that at all?)
(Sor)
- Continue to work on keeping the bass quiet.
- What in the world has happened to the tone? watch the right hand again.
- Continue to practice the shifts and right hand fingering
- I tend to want to reverse the dynamics in some places - record both ways and decide.
And noodle around having fun of course๐
Jack the poodle...one big softy |
(Bach)
- SLOW DOWN (use the metronome), record sections and not speed up until they're solid enough to play 3? 4? 5? times in a row without mistakes and hearing the dynamics I want.
- work specifically on left hand positioning, particularly for ascending slurs
- If still not able to stop the mistakes, check the right hand fingering is consistent.
- Don't forget the legato
- Figure out (from the recording) if you want the last part damped. (maybe not)?
- Oh yes, play it all the way through every day (did I actually do that at all?)
(Sor)
- Continue to work on keeping the bass quiet.
- What in the world has happened to the tone? watch the right hand again.
- Continue to practice the shifts and right hand fingering
- I tend to want to reverse the dynamics in some places - record both ways and decide.
And noodle around having fun of course๐
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